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Five texts try to explain a recurrent pattern related to shoes, the joy of purchasing them and the emotional transfer process behind it. The first 4 texts published twice as screen prints on thin silk paper and were released in shoe stores, but inside the shoe boxes as packaging. The distribution dispositif changes the perception of an art work and questions its dissemination, its public and it’s market value. The fifth and final text, a video called the man with the living camera, or the extraordinary theory of windscreen wipers, and often projected independently. On the occasion of their exhibition at the Abbey museum in France, all the texts have been combined with the video on a dvd in one publication, on a limited edition of 12 copies . 

installation silk prints
and video    
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